Wikimedia Commons

File:Dictionary of painters and engravers (1903) (14760928486).jpg

Original file ‎(2,736 × 1,814 pixels, file size: 691 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary edit

Description
English:

Identifier: dictionaryofpain05brya (find matches)
Title: Dictionary of painters and engravers
Year: 1903 (1900s)
Authors: Bryan, Michael, 1757-1821 Williamson, George Charles, 1858-1942
Subjects: Painters Engravers
Publisher: London, G. Bell
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
f his assistants. This isclearly to be seen in such works as the picture ofthe Annunciation, in the church of San Giobbeat Venice, in which we note a partial return to themasters earlier manner ; and in the later polyptychof St. Anthony Abbot and other Saints, paintedin 1467 for the church of St. Anthony at Pesaro,and now in the Lateran Gallery at Rome. Thedate of Antonios death is unknown, but he appearsto have been still alive in 1470, in which year heis said to have decorated the church of SantApollinare at Venice with frescoes that have sincedisappeared. This is the last notice which wepossess, artistic or otherwise, in regard to him.One of the most interesting of Antonios unsignedworks, and one deserving of especial mention here,is the delightful panel of the Adoration of theMagi, in the Gallery at Berlin. This picture,long attributed to Gentile da Fabriano, showsmore strongly than any other the remarkableinfluence which the works of the Umbrian master I—I >o o <
Text Appearing After Image:
<3 O 53 C/3 O H o <O a<; * PAINTERS AND ENGRAVERS. and bis contemporary, Pisanello, exercised overthe Muranese painter. It is, without doubt, avery early creation of Antonio, and was evidentlypainted quite independently of Giovanni, and veryprobably before his connection with that artist.Other very Gentilesque productions, also of anearly period, are the four predelle with scenes fromthe Lives of Christ and the Virgin (Nos. 1280-1283) in the Louvre, attributed by the catalogueto the school of Gentile da Fabriano. Possiblyby Giovanni da Murano himself may be the singlefigure of St. Catherine, attributed to him, in theGallery at Venice. L. 0. List of principal works : (with Bergamo. Lochis- Carrara Gall. Berlin. Gallery. Bologna. Gallery. Brescia.Gazzada. Seminario. Don GuidoCagnola.London. Nat. Gall. Milan. Osimo.Padua. Paris. Pausula. Rome.Venice. Br era,Poldi-Pezzoli. Pinacoteca. Gallery.San Filippo. Louvre. SS. Pietro e Paolo. Lateran. Academy. S. Zaccaria. San Pantaleone.S

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14760928486/

Author Internet Archive Book Images
Permission
(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
5
Flickr tags
InfoField
Flickr posted date
InfoField
30 July 2014
The categories of this image need checking. You can do so here.
  • Please remove redundant categories and try to put this image in the most specific category/categories.
  • You can remove this template by clicking here (or on the first line).



Licensing edit

This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.

Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14760928486. It was reviewed on 26 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

26 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current13:01, 14 November 2015Thumbnail for version as of 13:01, 14 November 20152,736 × 1,814 (691 KB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
06:41, 26 September 2015Thumbnail for version as of 06:41, 26 September 20151,814 × 2,736 (691 KB)Fæ (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': dictionaryofpain05brya ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fdictionaryofpain05brya%2F fin...

You cannot overwrite this file.

There are no pages that use this file.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Dictionary_of_painters_and_engravers_(1903)_(14760928486).jpg&oldid=648435655"