File:Rear-Admiral Sir George Cockburn, 1772-1853 RMG BHC2619.tiff

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John James Halls: Rear-Admiral Sir George Cockburn, 1772-1853  wikidata:Q50895056 reasonator:Q50895056
Artist
John James Halls  (1776–1853)  wikidata:Q12059399
 
Alternative names
John J. Halls
Description British portrait painter
Date of birth/death 1776 Edit this at Wikidata 1853 Edit this at Wikidata
Work period 1791-1834
Authority file
artist QS:P170,Q12059399
image of artwork listed in title parameter on this page
Title
Rear-Admiral Sir George Cockburn, 1772-1853 Edit this at Wikidata
title QS:P1476,en:"Rear-Admiral Sir George Cockburn, 1772-1853 Edit this at Wikidata"
label QS:Len,"Rear-Admiral Sir George Cockburn, 1772-1853 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Rear-Admiral Sir George Cockburn, 1772-1853

Cockburn was one of Nelson's talented frigate captains in the Mediterranean in the 1790s but is best known for his actions during the Anglo-American War of 1812. In 1814 he accompanied the joint naval and military force under Major-General Ross, which after the battle of Bladensburg seized the city of Washington for 24 hours. The public buildings were burnt, including the President's mansion. Its shell had to be painted white on reconstruction to hide the damage and it subsequently became more generally known as the White House. Cockburn provided support and guidance to the army throughout the campaign having become familiar with operations on shore. Ross gave credit to Cockburn for the idea of the attack on Washington although it was part of the strategy of Sir Alexander Cochrane who had become Commander-in-Chief on the North American station early in 1814. Cockburn also accompanied Ross in the advance against Baltimore and was with him during the skirmish on 12 September when Ross was killed. Cockburn's other widely known claim to fame is as the man charged with conveying Napoleon to exile in St Helena in 1815 (in his flagship, the 'Northumberland'), where he remained briefly as Governor and saw the ex-Emperor settled at Longwood, the house built for him there. He subsequently became an MP and was commander-in-chief on the North American station, 1833-36. From 1841 to 1846 he was First Sea Lord and the Navy's well considered adoption of steam technology and other reforms owed a great deal to his firm guidance, which always put professional standards above political considerations. He reached the rank of Admiral of the Fleet in 1851and briefly inherited the family baronetcy the following year.

He is shown full length to right wearing rear-admiral’s undress coat and hat, 1812–25 pattern, breeches and hessian boots. In the background are the burning Capitol buildings in Washington. This picture or a version was exhibited at the Royal Academy in 1817.

John James Halls (1776–1853) was born at Romford, Essex, but moved as a child to Colchester where he trained under a local painter called Sturt. He was only 15 when he exhibited landscape at the Royal Academy in 1791 and he won early fame as a talented portrait and history painteer after moving to London in 1798. From that year to 1827 he exhibited regularly at the Academy (mainly portraits) and showed mainly history paintings at the British Institution, 1806 -28. He was a friend and pupil of Hoppner and in 1802 spent some time in Paris with Henry Fuseli. In 1831 completed the editing of a life of Nathaniel Pearce by his friend the explorer and Egyptologist Henry Salt FRS (d. 1827), and wrote the latter's biography (1834).

Rear-Admiral Sir George Cockburn (1772-1853)
Date circa 1817
date QS:P571,+1817-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 2390 mm x 1485 mm; Frame: 2683 x 1765 x 110 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2619
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14093
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1940-292
id number: BHC2619
Collection
InfoField
Oil paintings

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current06:16, 18 September 2017Thumbnail for version as of 06:16, 18 September 20174,440 × 7,200 (91.46 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1817), http://collections.rmg.co.uk/collections/objects/14093 #934

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